The Comet / Poppea

Composed by George Lewis
Libretto by Douglas Kearney
Concept & Direction by Yuval Sharon

The Comet / Poppea brings together seemingly disparate worlds connected by stories of cultural transformation. The work juxtaposes Claudio Monteverdi’s L’incoronazione di Poppea (The Coronation of Poppea), an Italian opera from 1643 unfolding among the social divisions of ancient Rome; and the world premiere of The Comet, based on the 1920 science-fiction short story by sociologist and Pan-Africanist civil rights activist W.E.B. Du Bois. Set in 1920s New York City, “The Comet” depicts a Black man and white woman as the only survivors after a comet hits Earth.

Presented on a turntable divided in two halves, these worlds unfold simultaneously, with the stage’s rotation creating a visual and sonic spiral for audiences—inviting associations, dissociations, collisions, and confluences. 

“As the piece goes on, those two works start to leak into each other,” observes composer George Lewis. “Drawing on Du Bois’s own concept of ‘double consciousness,’ the opera is structured around a number of these doublings: points of repetition or intersection that underscore the dialogue between the two works and the relevance of that dialogue today.”

As director Yuval Sharon explains, “The Comet / Poppea explores exclusion in classical music by creating an uneasy tessellation between the Baroque and the contemporary, and by enacting the experience of double consciousness. It begins as a critique of the institution of opera and ends as a justification of the art form’s radical potential: in the unexpected harmony to be discovered in juxtaposition and its ability to invite a contemplation of both timely and timeless struggles.”

Developed over six years,  The Comet / Poppea is realized through a landmark partnership among smaller organizations across the United States, produced by Anthony Roth Costanzo and Cath Brittan, The Industry, AMOC* (American Modern Opera Company), Curtis Institute of Music, and Yale Schwarzman Center.

Cast

The Comet / Poppea features a rotating cast of performers from Los Angeles and New York.
Engagements are subject to change

Lindsay Patterson Abdou (Love / Nellie)
Performing June 16, 2pm; June 20, 5pm; June 21, 8pm; & June 22, 2pm

Cedric Berry ** (Jim / Mercury)
Performing June 15, 8pm; June 20, 5pm; June 21, 8pm; & June 23, 2pm

Amanda Lynn Bottoms (Ottone / Virtue)
Performing All Performances

Anthony Roth Costanzo *** (Nero / Julia’s Father)
Performing June 14, 8pm; June 15, 8pm; June 16, 2pm; June 20, 8pm; June 21, 8pm; June 22, 2pm; June 23, 2pm

Kiera Duffy (Julia)
Performing June 14, 8pm; June 16, 2pm; June 18, 8pm; June 20, 5pm; June 21, 8pm; June 22, 8pm; & June 23, 2pm

James Hayden **(Seneca)
Performing All Performances

Laurel Irene (Julia)
Performing June 15, 8pm;  June 20, 8pm; June 21, 5pm; & June 22, 2pm

Eric Jurenas (Nero / Julia’s Father)
Performing June 18, 8pm; June 20, 5pm; June 21, 5pm; & June 22, 8pm

Joanna Lynn-Jacobs (Poppea)
Performing June 20, 5pm; June 21, 5pm; June 22, 2pm; & June 23, 2pm

Joelle Lamarre (Love / Nellie)
Performing June 14, 8pm; June 15, 8pm; June 18, 8pm; June 20, 8pm; June 21, 5pm; June 22, 8pm; & June 23, 2pm

Whitney Morrison (Ottavia / “Friend” / Fortune).
Performing All Performances

Davóne Tines ***(Jim / Mercury)
Performing June 14, 8pm; June 16, 2pm; June 18, 8pm; June 20, 8pm; June 21, 5pm; June 22, 2pm; & June 22, 8pm

Nardus Williams (Poppea)
Performing June 14, 8pm; June 15, 8pm; June 16, 2pm: June 18, 8pm; June 20, 8pm; June 21, 8pm; & June 22, 8pm

Mikaela Elson (Ottone / Virtue, understudy)

Ben Lin (Seneca, understudy)